Here Dreiser portrays with brutal power how the wrong decision-or lack of decision-can lay waste to a life. If you can make it through the sagging midsection, however, you'll be rewarded by Sister Carrie's last 150 pages, which depict the harrowing downward spiral of one of the book's central characters. In any novel, and particularly in Sister Carrie, the first chapter is extremely important. On the other hand, the middle chapters-of which there are many-do drag somewhat, even when one appreciates Dreiser's intentions. This sometimes works brilliantly as we follow the choices, small and large, that lead some characters to doom and others to glory. Dreiser's story unfolds in the measured cadences of an earlier era. Digging deeply into the psychological underpinnings of his characters, he gives us people who are often strangers to themselves, drifting numbly until fate pushes them on a path they can later neither defend nor even remember choosing. That's impressive in and of itself, but Dreiser doesn't stop there. First and foremost, he has written an astute, nonmoralizing account of a woman and her limited options in late-19th-century America. Dreiser uses the story of Caroline Meeber, a nave young woman who gets. Times change, and we now have a restored 'author's cut' of Sister Carrie that shows how truly ahead of his time Dreiser was. Sister Carrie is a novel published in 1900 by the American author Theodore Dreiser. The story of Carrie Meeber, an 18-year-old country girl who moves to Chicago and becomes a kept woman, was strong stuff at the turn of the century, and what Dreiser's wary publisher released was a highly expurgated version.

Sister Carrie, Theodore Dreiser's revolutionary first novel, was published in 1900-sort of.

Sister carrie author